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3 1685 80
    • BBC

    Martin Chuzzlewit

    1994

    Painting

    • BBC

    Pride and Prejudice

    1995

    Painting

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About the Costume

This painting by Adam Buck, circa 1810, is entitled I Could Not Learn My Book, Mama.

A print of it can be found in the 1994 adaptation of Martin Chuzzlewit, as well as the 1995 adaptation of Pride and Prejudice. 

 

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About the Costume

Have you seen this gown somewhere else? Do you need to be given credit for this sighting? Do you have corrections, additions or changes you would like to make?

Have you ever watched a film and noticed a character walk by in a gown that you just know you’ve seen before? Recycled Movie Costumes is dedicated to documenting the life of a costume through its various appearances on film and television.

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About the Costume

This painting by Adam Buck, circa 1810, is entitled I Could Not Learn My Book, Mama.

A print of it can be found in the 1994 adaptation of Martin Chuzzlewit, as well as the 1995 adaptation of Pride and Prejudice. 

 

This painting by Adam Buck, circa 1810, is entitled I Could Not Learn My Book, Mama.

A print of it can be found in the 1994 adaptation of Martin Chuzzlewit, as well as the 1995 adaptation of Pride and Prejudice. 

 

Add Info

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Credits

Sighting Credit:
  • Gal_In_Calico
Photos provided by:
  • Gal_In_Calico
Set Designer / Dresser:
  • Gavin Davies

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Costume Commentary

  1. Already adorning the chimney tops of Norland Park as well as Barton cottage in the 1971 BBC production of Sense and Sensibility. Both of the prints – though I only managed to grab a reasonably clear cap of one.

      • ETA: Nevermind Barton Park, the two prints from above seem to be everywhere the Dashwood girls go in the ’71 S%S except for Barton – thought the two smaller, more oblong frames above that home chimney seem framed and matted in the same style, meaning they probably come from the same initial collection. Anyway, here are ‘our’ two prints in Norland, in Mrs. Jennings’ Salon in Berkeley Street (Patricia Routledge is such a hoot) and near Mariannes’ sickbed at Cleveland – which means the prints have been reused within the production but rather without narrative justification. And that’s enough nerding out from me for now.

  2. My guess is: It’s a print, possibly a handcoloured engraving or a colour print. At best a drawing. In any way, a work on paper, not a painting. Couldn’t find the original Buck or info on who might have printed editions in some of the public British Collections though. But I did stumble upon this framed prop whilst browsing for a completely different thing: Also walled and shown during the period ‘set’ scenes in The French Lieutenant’s woman 1981. (I just can’t seem to upload anything directly from my folders atm, only embed urls?!)

    • Thanks! This is helpful! I will make some adjustments.  Noted on French Lietenant – that’s cool! Ugh, sorry that is frustrating, let me look into it! Thanks for letting me know.

      • I sent the film still via edit suggestions which works just fine. Meanwhile: The UK National Trust lists prints of this and its accompanying motive (‘Don’t make me beg in vain‘ – is that the one shown in P&P aswell?) with the title/text intact (Come Father’s Hope! Come Mother’s Glory Now Listen To A Pretty Story) in the collection in Scotney Castle, Kent. Still, the uploaded picture quality is not enough to make out any eventual mark a printer might have left or gather further clues to possible editions. But the given measurements (280 x 240mm) seem similar to the prop frames.

Comment

Costume Commentary

  1. Already adorning the chimney tops of Norland Park as well as Barton cottage in the 1971 BBC production of Sense and Sensibility. Both of the prints – though I only managed to grab a reasonably clear cap of one.

      • ETA: Nevermind Barton Park, the two prints from above seem to be everywhere the Dashwood girls go in the ’71 S%S except for Barton – thought the two smaller, more oblong frames above that home chimney seem framed and matted in the same style, meaning they probably come from the same initial collection. Anyway, here are ‘our’ two prints in Norland, in Mrs. Jennings’ Salon in Berkeley Street (Patricia Routledge is such a hoot) and near Mariannes’ sickbed at Cleveland – which means the prints have been reused within the production but rather without narrative justification. And that’s enough nerding out from me for now.

  2. My guess is: It’s a print, possibly a handcoloured engraving or a colour print. At best a drawing. In any way, a work on paper, not a painting. Couldn’t find the original Buck or info on who might have printed editions in some of the public British Collections though. But I did stumble upon this framed prop whilst browsing for a completely different thing: Also walled and shown during the period ‘set’ scenes in The French Lieutenant’s woman 1981. (I just can’t seem to upload anything directly from my folders atm, only embed urls?!)

    • Thanks! This is helpful! I will make some adjustments.  Noted on French Lietenant – that’s cool! Ugh, sorry that is frustrating, let me look into it! Thanks for letting me know.

      • I sent the film still via edit suggestions which works just fine. Meanwhile: The UK National Trust lists prints of this and its accompanying motive (‘Don’t make me beg in vain‘ – is that the one shown in P&P aswell?) with the title/text intact (Come Father’s Hope! Come Mother’s Glory Now Listen To A Pretty Story) in the collection in Scotney Castle, Kent. Still, the uploaded picture quality is not enough to make out any eventual mark a printer might have left or gather further clues to possible editions. But the given measurements (280 x 240mm) seem similar to the prop frames.

Comment

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Costume Commentary

  1. Already adorning the chimney tops of Norland Park as well as Barton cottage in the 1971 BBC production of Sense and Sensibility. Both of the prints – though I only managed to grab a reasonably clear cap of one.

      • ETA: Nevermind Barton Park, the two prints from above seem to be everywhere the Dashwood girls go in the ’71 S%S except for Barton – thought the two smaller, more oblong frames above that home chimney seem framed and matted in the same style, meaning they probably come from the same initial collection. Anyway, here are ‘our’ two prints in Norland, in Mrs. Jennings’ Salon in Berkeley Street (Patricia Routledge is such a hoot) and near Mariannes’ sickbed at Cleveland – which means the prints have been reused within the production but rather without narrative justification. And that’s enough nerding out from me for now.

  2. My guess is: It’s a print, possibly a handcoloured engraving or a colour print. At best a drawing. In any way, a work on paper, not a painting. Couldn’t find the original Buck or info on who might have printed editions in some of the public British Collections though. But I did stumble upon this framed prop whilst browsing for a completely different thing: Also walled and shown during the period ‘set’ scenes in The French Lieutenant’s woman 1981. (I just can’t seem to upload anything directly from my folders atm, only embed urls?!)

    • Thanks! This is helpful! I will make some adjustments.  Noted on French Lietenant – that’s cool! Ugh, sorry that is frustrating, let me look into it! Thanks for letting me know.

      • I sent the film still via edit suggestions which works just fine. Meanwhile: The UK National Trust lists prints of this and its accompanying motive (‘Don’t make me beg in vain‘ – is that the one shown in P&P aswell?) with the title/text intact (Come Father’s Hope! Come Mother’s Glory Now Listen To A Pretty Story) in the collection in Scotney Castle, Kent. Still, the uploaded picture quality is not enough to make out any eventual mark a printer might have left or gather further clues to possible editions. But the given measurements (280 x 240mm) seem similar to the prop frames.

Comment

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