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  • Audrey Hepburn as Holly Golightly wearing a hot pink silk dress decorated with a bow and fan shaped appliqués in the 1961 film "Breakfast at Tiffany's."
    • Paramount Pictures

    Breakfast at Tiffany's

    1961

    Costume seen on Audrey Hepburn as Holly Golightly

  • Jocelyn Lane as Pam Merritt wearing a hot pink silk dress decorated with a bow and fan shaped appliqués in the 1965 film "Tickle Me."
    • Allied Artists Pictures

    Tickle Me

    1965

    Costume seen on Jocelyn Lane as Pam Merritt

Additional Images

About the Costume

Audrey Hepburn is often remembered for her beautiful clothes, both on and off-screen. When she was about to begin production on Sabrina, she visited fashion designer Hubert de Givenchy in the hopes of having him outfit her wardrobe for the production instead of the costume designer assigned to the film – Edith Head. Despite Givenchy’s contribution, Edith Head took credit for the costumes when Sabrina won the Academy Award for Best Costume Design and even denied that Givenchy was heavily involved, which you can read about here. 

When the time came for Audrey to star in the 1961 adaptation of Truman Capote’s book Breakfast at Tiffany’s, Givenchy was given credit for Audrey’s wardrobe, with Head being listed as the ‘costume supervisor.’

This pink dress, likely created by Givenchy for Audrey as Holly Golightly in 1961, was described by Christie’s as follows:

Knee-length sleeveless dress of hot pink silk, decorated all over with fan-shaped appliqués accented with small rhinestones [some rhinestones missing], with matching pink bow to the waist.

Hubert De Givenchy designed all the costumes for Audrey Hepburn for Breakfast At Tiffany’s, but this gown is not labeled and also appears to have been altered to fit Hepburn as well as being altered post-filming, perhaps suggesting that this was not one designed by Givenchy, but obtained last minute during filming. 

While it’s possible the gown is not by Givenchy, as Christie’s posited above, a gown of the same design (or perhaps the same exact gown on loan) was displayed at the To Audrey, With Love exhibition of Givenchy’s work at the Kunestmuseum Den Haag in 2016, which seems to at least authenticate his work on this dress. The lack of a label and later alteration to the gown is almost certainly due to the fact that this costume went on to be reused in another production, the 1965 film Tickle Me, where it was worn by Jocelyn Lane as Pam Merritt. Tickle Me was produced by Allied Artists but was filmed at Paramount Studios – the same studio that had Breakfast at Tiffany’s, making it almost certain that this gown was pulled from the costume racks for reuse. 

Costumes worn by Audrey are rarely brought up for sale, so when Christie’s listed it in 2007 (with the fan-shaped appliqués heavily faded), it sold for $192,000 USD. 

About the Costume

Have you seen this gown somewhere else? Do you need to be given credit for this sighting? Do you have corrections, additions or changes you would like to make?

Have you ever watched a film and noticed a character walk by in a gown that you just know you’ve seen before? Recycled Movie Costumes is dedicated to documenting the life of a costume through its various appearances on film and television.

Additional Images

About the Costume

Audrey Hepburn is often remembered for her beautiful clothes, both on and off-screen. When she was about to begin production on Sabrina, she visited fashion designer Hubert de Givenchy in the hopes of having him outfit her wardrobe for the production instead of the costume designer assigned to the film – Edith Head. Despite Givenchy’s contribution, Edith Head took credit for the costumes when Sabrina won the Academy Award for Best Costume Design and even denied that Givenchy was heavily involved, which you can read about here. 

When the time came for Audrey to star in the 1961 adaptation of Truman Capote’s book Breakfast at Tiffany’s, Givenchy was given credit for Audrey’s wardrobe, with Head being listed as the ‘costume supervisor.’

This pink dress, likely created by Givenchy for Audrey as Holly Golightly in 1961, was described by Christie’s as follows:

Knee-length sleeveless dress of hot pink silk, decorated all over with fan-shaped appliqués accented with small rhinestones [some rhinestones missing], with matching pink bow to the waist.

Hubert De Givenchy designed all the costumes for Audrey Hepburn for Breakfast At Tiffany’s, but this gown is not labeled and also appears to have been altered to fit Hepburn as well as being altered post-filming, perhaps suggesting that this was not one designed by Givenchy, but obtained last minute during filming. 

While it’s possible the gown is not by Givenchy, as Christie’s posited above, a gown of the same design (or perhaps the same exact gown on loan) was displayed at the To Audrey, With Love exhibition of Givenchy’s work at the Kunestmuseum Den Haag in 2016, which seems to at least authenticate his work on this dress. The lack of a label and later alteration to the gown is almost certainly due to the fact that this costume went on to be reused in another production, the 1965 film Tickle Me, where it was worn by Jocelyn Lane as Pam Merritt. Tickle Me was produced by Allied Artists but was filmed at Paramount Studios – the same studio that had Breakfast at Tiffany’s, making it almost certain that this gown was pulled from the costume racks for reuse. 

Costumes worn by Audrey are rarely brought up for sale, so when Christie’s listed it in 2007 (with the fan-shaped appliqués heavily faded), it sold for $192,000 USD. 

Audrey Hepburn is often remembered for her beautiful clothes, both on and off-screen. When she was about to begin production on Sabrina, she visited fashion designer Hubert de Givenchy in the hopes of having him outfit her wardrobe for the production instead of the costume designer assigned to the film – Edith Head. Despite Givenchy’s contribution, Edith Head took credit for the costumes when Sabrina won the Academy Award for Best Costume Design and even denied that Givenchy was heavily involved, which you can read about here. 

When the time came for Audrey to star in the 1961 adaptation of Truman Capote’s book Breakfast at Tiffany’s, Givenchy was given credit for Audrey’s wardrobe, with Head being listed as the ‘costume supervisor.’

This pink dress, likely created by Givenchy for Audrey as Holly Golightly in 1961, was described by Christie’s as follows:

Knee-length sleeveless dress of hot pink silk, decorated all over with fan-shaped appliqués accented with small rhinestones [some rhinestones missing], with matching pink bow to the waist.

Hubert De Givenchy designed all the costumes for Audrey Hepburn for Breakfast At Tiffany’s, but this gown is not labeled and also appears to have been altered to fit Hepburn as well as being altered post-filming, perhaps suggesting that this was not one designed by Givenchy, but obtained last minute during filming. 

While it’s possible the gown is not by Givenchy, as Christie’s posited above, a gown of the same design (or perhaps the same exact gown on loan) was displayed at the To Audrey, With Love exhibition of Givenchy’s work at the Kunestmuseum Den Haag in 2016, which seems to at least authenticate his work on this dress. The lack of a label and later alteration to the gown is almost certainly due to the fact that this costume went on to be reused in another production, the 1965 film Tickle Me, where it was worn by Jocelyn Lane as Pam Merritt. Tickle Me was produced by Allied Artists but was filmed at Paramount Studios – the same studio that had Breakfast at Tiffany’s, making it almost certain that this gown was pulled from the costume racks for reuse. 

Costumes worn by Audrey are rarely brought up for sale, so when Christie’s listed it in 2007 (with the fan-shaped appliqués heavily faded), it sold for $192,000 USD. 

Credits

Sighting Credit:
  • Anonymous
  • Christie’s
  • Vogue
Photos provided by:
Costume Designer:
  • Edith Head
  • Hubert de Givenchy

Disclaimer

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The films/television shows/books and other media represented in the images on this website do not necessarily reflect the viewpoints of Recycled Movie Costumes. Said media may contain mature content. Viewer discretion is advised at all times.

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